
If you’d like to know more about who Narinder is and how she came to be here…

Taurus Sun
Leo Moon
Virgo Rising
Projector
cosmic points
things I love
miniatures
art
tiny drawings
jazz and classical
olives
linen
queerness
sea air
tidiness
romance
haunted houses
anything by Emily Brontë or
Chet Baker, Jane Austen, Bayo Akomolafe, or Dizzy Gillespie
what I can talk non-stop about
birds
art
death work
lovers
serendipitous experiences
building loving economies
soft-business and
the collapsing empire and the emerging life through the cracks of it through the returning to the Great Mother’s ways
my work is heavily influenced by
The many people who have let me be present to their sorrow, to their deaths, to their devastation, and to their loss. As well as those who have let me privy to their unfolding magic.
My Nine Keys apprentices
what I will not abide
genocide
I started wishing for world peace when I was a little girl.
I grew up in an unstable Midwestern household, full of adorable brothers, financial struggle, a lot of laughter, just as much sorrow, a mother who worked several jobs at once, and a whole lot of Christian fundamentalism.
My dad — a huge influence on my life and work — was a very mentally unwell man, carrying deep wounds from being a young man drafted into the Vietnam War. I was born a few years after he came home. Looking back on my childhood, it feels like a yard sale of heirlooms left out in the rain: nothing cherished, mostly unwanted. I started learning grief at a young age. At the same time, I discovered the art of wonder, the power of imagination, and found secret sanctuaries for the gods of whimsy.
Though I wasn’t able to know my dad’s side of the family intimately, I always felt their blood singing in me. Family estrangement started early for me. I’ve always had an affinity for Jane Eyre, if you know what I mean.
My Grandmama Elizabeth — my middle name namesake — was a little old witchy woman who passed her witchiness down to me, though it wasn’t until my twenties that I realized it. My uncle and aunts — my dad’s siblings — were gifted with the clairs. My dad, on the other hand, denied his gifts and sometimes drowned in his unacknowledged mysticism.
It was through my dad’s suffering, and the suffering he caused, that I was guided to find the light. And eventually, I began showing other mystics how to find it too. Since 2015, I’ve been counseling others through my Enchanted Life Guidance offering.
After graduating college with a degree in Performance Studies, I moved to Chicago, where I spent my roaring twenties. To pay the bills, I became a nanny — a path I ended up following for nineteen years.
During my thirteen years in Chicago, I developed a soul-crush on Kundalini Yoga. I drank the Kool-Aid. Sometimes I think ex-cult kids find themselves drawn into similar organizations, at least until they come to find God on their own terms.
I was born loving God, and I was always longing to know her intimately. Eventually, the Great Primordial Mother called me to Her lap. My church is play. My devotion is play. My prayer is play. I am a forever-child with an ancient soul, always within Her sight.
I still practice Kundalini Yoga and meditation when needed — it just works! But I’m no longer involved with yoga organizations.
In 2013, I moved to Atlanta with my then husband. After settling in, I began teaching yoga very regularly and also became involved in the art community there.
I think it’s funny to hire someone from the internet—to teach you things, hold your hand spiritually, walk with you through grief, or guide you back into your enchanted life—without really knowing anything about them. Funny enough, barely anyone asks for my credentials. They just hire me! I blame that odd and joyful experience on the Great Mother, who guides all of my work and brings folks my way for care.
My death work began as an answer to an ask from my yoga and art communities in that gritty southern city. My yoga classes sometimes grew to seventy-five students. I became known—not famous-known, but needed-known. I was often called to haunted spaces and hearts, clearing the inky black darkness for others.
My credentials…
I was called to vastly different death and dying situations, often quickly and in succession—from filling in the gaps of hospice care, to supporting families through murder and suicide, green burial, child loss, home funerals, and urgent end-of-life decision making. I have worked with a wide range of people, learning that what fractures us, in many ways, also weaves us together.
I have been a guest teacher for nursing students eager to learn the art of death midwifery at universities such as New York University, Georgia State, and Kennesaw State. I have taught death education classes to hundreds of people, weaving together art and death education across multiple disciplines. I have intimately trained over one hundred death midwives and mentored many more.
It just kept growing.
It might sound unbelievable when I say this, but it’s true: my business grew on its own. For years, I’ve simply been keeping up with it. It is, truly and wholly, a work of the Great Mother—and a result of my surrender to her guidance. It hasn’t always been easy, but it has always been rewarding. Through my own personal losses, I learned to let Her take the reins. As a very dyslexic visionary—neurodivergent, chronically ill, and an artist/mystic—prospering through my gifts feels like a miracle. It’s been a wild and beautiful ride. I rely on miracles.
My Nine Keys death midwifery apprenticeship emerged organically as people in my community asked to study death work with me, wanting to learn the way I see it, know it, and practice it.
Similarly, my Enchanted Life Guidance practice arose from community requests—people seeking a return to play, wonder, and the unseen forces shaping their days. I remind them how to move with the gods of whimsy, how to meet grief as a portal to universal love, how to dance with the spirits of serendipity, and how to find beauty that persists, even in times of collapse.
My work is my joy, my art, my guide. When I’m not immersed in it, I’m on Wabanaki land (Maine), drawing, writing, listening to sleepy jazz or loud Vivaldi, wandering aimlessly, cuddling my dog Oak, and dreaming of a world where we are all nourished, seen, and safe.
I am currently in my midlife-pause and not making any great decisions until age 50, which will be soon. For more on my journey, my work, my art, and our whimsical and tragic existence, join my newsletter list!
To see some of my drawings feel free to visit my Illustrations page.